UMKC Dancers in KC Ballet Performance

Romeo and Juliet :: roles for six UMKC dancers - Spring 2008

April / May 2008
Music Hall, Kansas City, Missouri

Sam Lopp, Erik Sobbe and Mike Tomlinson dressed as guards for the spring 2008 Kansas City production of Romeo and Juliet (Choreography Ib Anderson, Music Sergei Prokofiev)
Sam Lopp, Erik Sobbe and Mike Tomlinson dressed as guards

(left) Ben Biswell (as the Prince of Verona) and (right) Matt Carney (as Lord Montague, sans hat so far) with associate ballet mistress Lisa Thorn for the spring 2008 Kansas City production of Romeo and Juliet (Choreography Ib Anderson, Music Sergei Prokofiev)
(left) Ben Biswell (as the Prince of Verona) and (right) Matt Carney (as Lord Montague, sans hat so far) with associate ballet mistress Lisa Thorn. Ben and Matt are graduating seniors this spring. The chin foliage is freshly glued on.


Will Smith (as a guard) with Kansas City Ballet dancer Paris Wilcox (as Lord Capulet)  for the spring 2008 Kansas City production of Romeo and Juliet (Choreography Ib Anderson, Music Sergei Prokofiev)
Will Smith (as a guard) with Kansas City Ballet dancer Paris Wilcox (as Lord Capulet)

Six dancers from the University of Missouri Kansas City Conservatory Dance Department received roles in the spring 2008 production of Romeo and Juliet - Choreography by Ib Anderson, music by Sergei Prokofiev.

Graduating seniors Ben Biswell and Matt Carney were outfitted with costumes and chin foliage as the Prince of Verona and Lord Montague (respectively). The prince's four guards were played by Sam Lopp, Will Smith, Erik Sobbe and Mike Tomlinson.

(left) Ben Biswell (as the Prince of Verona) and (right) Matt Carney (as Lord Montague) for the spring 2008 Kansas City production of Romeo and Juliet (Choreography Ib Anderson, Music Sergei Prokofiev)
Ben and Matt hamming it up

Sam Lopp, Erik Sobbe and Mike Tomlinson for the spring 2008 Kansas City production of Romeo and Juliet (Choreography Ib Anderson, Music Sergei Prokofiev)
Sam Lopp, Erik Sobbe and Mike Tomlinson

Will Smith as a guard for the spring 2008 Kansas City production of Romeo and Juliet (Choreography Ib Anderson, Music Sergei Prokofiev)
Will Smith as a guard


Ben Biswell getting made up as the Prince of Verona for the spring 2008 Kansas City production of Romeo and Juliet (Choreography Ib Anderson, Music Sergei Prokofiev)
Ben Biswell getting made up

Ben with makeup, ready for his costume in the spring 2008 Kansas City production of Romeo and Juliet (Choreography Ib Anderson, Music Sergei Prokofiev)
Ben with makeup, ready for his costume

Sam Lopp, Erik Sobbe and Mike Tomlinson for the spring 2008 Kansas City production of Romeo and Juliet (Choreography Ib Anderson, Music Sergei Prokofiev)
Sam Lopp, Erik Sobbe (below) and Mike Tomlinson - as guards

 



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UMKC Dance Division
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UMKC Dance Division moments between studio classes
Dance Division moments between studio classes

   

Fall Concert "Choreofest"

The annual fall concert with staff and guest choreography.

 

November 2011
November 2010
November 2009
November 2008
November 2007
November 2006
November 2005

Spring Concert

Held every April with staff and visiting choreography. This could be considered the school's Dance Division Showcase for the year. April 2011
April 2010
April 2008
April 2007

Other Dance Concerts and Dance Division Events at UMKC

These range from guest concerts, to special classes with visiting masters to various other dance events with UMKC dance division dancers.

CORPS de Ballet 2011 Conference with the introduction of the Tudor Curriculum
Battleworks Concert - 25 October 2008
UMKC Master Class with Robert Battle - 20-24 Oct 2008
Note: as of spring 2011 Robert Battle is to take over as Artistic Director of Alvin Ailey from the retiring Judith Jamison.
Master Class with Donald McKayle - August 2006
100th Year Anniversaryof the Conservatory - April 2006

Senior Recitals

These are held in the winter semester and the graduating seniors begin signups and rehearsals early in the fall semester. This is one of their last graded works. Each senior choreographs and directs a group piece and performs in a solo which may be self-choreography or another's and may also be a duet if there is a large enough mix of solo to duet.

There are a number of recital concerts, depending on the total number of seniors. Generally the mid-week concerts have in-town seniors while those with families out of town are scheduled for Saturdays so their relatives can attend.

Senior Recital 2011
Senior Recital 2008
Senior Recital 2007
Senior Recital 2005

Related Links

Non-UMKC events which have UMKC dancers, staff or visiting artists.

Don McKayle talk at Public Library, KCMO about Kansas City Ballet piece he was commisioned to create.

UMKC guys in Romeo and Juliet at Kansas City Ballet Spring 2008 backstage in costumes.

Wylliams/Henry Sept 2006 and "Games ," choreography Donald McKayle.

For some of the least expensive, good dance entertainment in Kansas City the University of Missouri Kansas City's Conservatory of Dance and Music's Dance Division offers some of the best young adult dancers in the area. UMKC's Dance Division is among the top dance schools in the country. Those of us who live in this area often miss that distinction but people elsewhere know (isn't it always so?).

Each year's entering classes just keep getting better as the incoming talent keeps inching upward in ability. Some of the students are fed into the system by local studios and some are from national and even international recruiting by the dance staff.

Although this web site is a journalistic effort to show dance in Kansas City, and is not intended as a booster of anyone in particular, the pages listed above are referenced by students considering attending the Dance Division.

The students in the program are intense. They are not just talented, they are hard working, very focused and very competitive in a way that shows competition is cooperative. I've watched them truly support each other. As an adjunct, I have a computer class with a lot of these highly disciplined young people. They are very sharp. (As are athletes in the athletic program, and for many of the same reasons as the dancers. I get those "kids" in my classes too and they really focus hard because they are gone a lot as well.)

This focusing skill among dancers has seemed far more obvious in the last couple of years since Twitter and other web media have produced an adapted audience with short attention spans whose questions show that they skip and skim material rather than read throughly.

Although I've no way of testing it, I don't think there are any more Einsteins or Not-Einsteins among dancers than among anyone else. However, I am more convinced than ever that the practice of dance develops the ability to focus intently as a result of two things, 1) the need to quickly and efficiently make up for time away from classes in rehearsals and performances (something shared with our athletic-program students) and 2) the need to remember precisely so many details and variations in choreography and be able to modify program details in a snap. That is a terribly valuable tool for all walks of life.

The dancers have to be sharp, partly because so much of their non-class time is spent in rehearsals, performances and their own works (i.e. senior recitals) not only for shows at UMKC, but also locally in Kansas City where they form a part of the talent pool. Many of those rehearsal schedules are on weekends and late into the nights. Sometimes they can be in 40 or more hours of rehearsal a week - that is time outside of class, job, transportation and so forth. It varies greatly but it is seldom light.

I would also call dancers athletes but I hate to, not because they are not athletes but because such statements tend to sound more like an excuse for dance to be tolerated as legit. I think the comparison of dancers and athletes should be more like a multiple of the famous Ginger and Fred comparison which states that she does all the stuff Fred does, but in high heels and backward too.

Dancers don't just move a ball to a goal (so to speak) but they have to do it in character, smiling, with grace and technique specific to the art form, never letting down and never stopping, on beat, keeping count, and repeating exactly the same moves to the same music again and again (you should see some of my comparison videos of separate runs), no mistakes. No cut on traditionally-defined athletes (football, baseball, etc.) and not that there is not tremendous grace in the result, but they get to grunt, groan and grimace with bodies twisted and turned any which way just as long as the ball gets to the goal.

In my personal experience with these "kids," these dancers are talented as both physical athletes and mental athletes. Then there is the thing about what great people they are, but that is another rant. Don't get me started.

http://conservatory.umkc.edu/division-dance.cfm





 

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